I have been following Andrea Lumsden’s work for some time now and am frequently amazed at what she creates from everyday materials. She excels in an art form that persuades transformation. It seems there is no challenge too big for this talented artist, particularly with regard to material investigations. She boldly seduces the sublime to rise from the mundane in her fascinating works. It is my great pleasure to introduce readers to this inspiring Australian artist in the interview below.
My name is Andrea Lumsden. I have a degree in Fine Art. I am currently in process with a year long body of work called “The magic in the medium: hidden beauty”. This relates to material investigations carried out by me to inspire and motivate the viewer into seeing the versatility of, and the beauty within materials that are so often overlooked.
Hmmm…I would say that I just have an inner drive towards what I do. I guess I want to create a magical experience; to show that there are always new possibilities and new ways of looking at things and that if we take a different view and try to see something in a new way, then that’s when the magic happens. However, I do think that I started investigating materials in the beginning because I wanted to find my creative niche and even now after doing it for a while; I have found that I really do prefer certain materials to others for their possibilities and their versatility.
My studio, at this point in time, is in a fairly large garage. I just love creating in there. At this stage I investigate a certain material for approximately 4 days to start with to gain a kind of intimacy with it. I also share the investigation on my blog to start with. Further investigation happens later when I create a little bowl with the results from the initial investigation to demonstrate how it all comes together. I work a lot through intuitive flow…ahhh…from one idea to the next. I just keep moving with the ideas until they come to a stop or until I get tired and realise I’ve been sitting there for three hours and my butt is hurting lol. I do love being in the flow. I work best alone or with the cat “Boof”. He likes to accompany me and soak up creative vibes as long as I don’t start talking to him. If I try to hold a conversation; he gets up and moves as far away from me as possible. Haha.
I think I was quite lucky as a child in primary school. My teacher’s wife was an artist, so we were introduced to a whole array of art subjects like pottery, enamelling, puppet making, sketching, bark painting, Batik and oil painting. During high school, I was directed towards computers etc and really didn’t get back into art until 5 years ago and by that stage I was so frustrated with my skill level that I wanted to learn so much more and here I am today with my degree and still a frustrated artist lol.
A good work area is very important, having good equipment and materials at hand to work with, being able to network with other artists, I think is very important and also to keep learning and most of all continual practice whilst being open to mistakes. Mistakes are invaluable. Mistakes create beautiful art and amazing breakthroughs.
Again I think this is up to the individual. I can only speak for myself in this instance and my role, I believe is to introduce a new way of looking at life to society; to offer a different perspective.
My brother dying just over a year ago has changed my path quite a lot. I keep wanting to be as authentically me as possible. I needed to start doing what I loved and to stop doing what I felt was expected of me. So my work has turned more towards, I suppose you could call it a type of decorative art. I have always loved to decorate; to make things a little more special and a little more magical by adding embellishments and finding the magic or the beauty within something….so yeah.
Lol, just like I’m back at uni again..um I’ll just give you my artist statement which is quite short and sweet but pretty much to the point.
I have a love of material investigation. I try to find/ create a relationship with the material; to become intimate with its possibilities. I am particularly interested in demonstrating the versatility of certain media that I choose to investigate, by displaying my findings in simple finished forms such as an art bowl or a type of jewel/embellishment.
When working with a material, there is a respect or reverence for the whole process; including the material itself that seems to develop the more I choose to experiment with it. I have found that most things can be fascinating and quite magical, if I set my mind to looking for the beauty within. It is that hidden beauty that I am focusing on in my body of work for 2016. How can I create for others to see; a magical experience showing the versatility of the material? This is the question that I am choosing to answer through my body of work “The magic in the medium: hidden beauty”.
I have become so much more focused and now know the direction that I wish to take. I am also now allowing for changes in my art to just naturally occur with the flow and whatever direction it takes but the basis is always to investigate and to experiment. The last four years gaining my degree, I found the pace was just a little too fast for me, so I guess now I have slowed down and allowed what I have learned to kind of sink in and gel with me. I look at what I have learned as base skills that I can push further into my own way of doing things. I’m really just at the beginning. There is so much more to come.
Art is my life; my life is my art. Without art, I would not be a whole person. There would be a huge hole in my life.
The quest is to see things differently, not just the whole picture, but the details that are missed; to document how you see things, as an individual.
I was described as an outsider artist by one of my tutors. I guess I take that as a compliment. I have had a few strong reactions towards some older works about my agoraphobia experience. Their responses showed me that I was expressing myself how I needed to. I would like to do some more work on my identity but it’s one of those things that can bring up a lot of emotion and in your face stuff and issues with narcissism.
With my experience agoraphobia, I actually learned to like my own company; or was forced to learn as I had no choice at the time lol. I love working by myself which is a good thing because being an artist, you spend a lot of time in the studio by yourself. I rarely feel lonely. These days I have Facebook to keep me company if I want to know that people are around or just to chat with someone about art. We are very lucky that we have that in our lives. Some people like to listen to music whilst they do art. I like to watch movies. Movies are good company and great idea fodder. ☺
I think there is a kind of rushed feeling about art today. I know I am forever trying to calm the feeling down and pace myself. We all don’t need to be in some huge competition with one another. I think that everyone has something different to offer the world and there is room for everybody.
Not having enough supplies to do what I want and having to wait to get them. This makes me very impatient. Patience is not one of my strong points…..taps fingers. I also dislike when I’m wanting to get moving but my body gives me a hard time.
I love the act of creating something tactile that I can pick up and hold, run my fingers over. I’m very ‘of the senses’. I love seeing something that was just an idea, brought into the material.
I spend a lot of time looking for visual cues and seeing how other people use the materials that I am investigating. I also get ideas from movies and from nature and also from designers and artists that I’m interested in.
I am doing it now. I am sure there will be more dream projects as I get plenty of ideas, but at this time I am very happy with what I am doing.
I don’t necessarily want to be compared to another artist although Joseph Cornell was quite an influence for me and many others, but also I particularly liked Dieter Roth for his work with documentation, Candy Jernigan for her interesting collecting of found objects and documenting those. I am also spending time researching into the Faberge’ eggs.
My studio and my shower ☺
To look at nay sayers as challengers to motivate me further towards my goals.
To be a highly respected, happy and well paid full time artist who is continuously developing her skills and moving forward in her chosen field.
My scissors and my big bottle of PVA glue , my laptop, coloured inks, my art journals, my printer and my camera…oh …and coffee.
Questions sourced from Artsculture