Behind Lace

A few weeks ago I was working on an art project that involved subverting an architectural structure in a way that changes its original meaning. The building I focussed on was an old Victorian theatre (built in 1876) which I decided to conceal behind lace. The concept and how I came to deciding on my idea of subversion is drawn-out, so I won’t go into detail, but I took clues from the Victorian era (hence the lace) as well as from the original purpose of the building (to entertain) which I turned around into something hidden from view rather than exposed. This idea was informed by the decayed and neglected condition that the building is in now.

Whilst on site I took many photographs and spent hours absorbing the frayed and forgotten energies of the place; I discovered and observed cracks and holes in walls floors and other surfaces that became ‘peep holes’ through which I could see glimpses of its history. This eventually developed into a theme of concealment through which to subvert the historical meaning of the building.

I might write more in a later post on the different stages of my process, but for now here is one of the outcomes; homage to what was once a vibrant architectural structure built to entertain thousands of people in an age gone by. An old theatre that now echoes silence; forgotten and hidden from view amongst the dust and debris.


Laugh in the face of evil


Ilya Yefimovich Repin, 1880-1891. The Zaporozhian Cossacks write a letter to the Sultan of Turkey. 358 × 203 cm. Oil on canvas. Accessed from:
Ilya Yefimovich Repin, 1880-1891. ‘The Zaporozhian Cossacks write a letter to the Sultan of Turkey.’ 358 × 203 cm. Oil on canvas. State Russian Museum. Accessed from:

Laughter, like art, is a universal language. It is something everyone understands, regardless of language or cultural barriers, and it is contagious.  Whilst there is not much to laugh about during the refugee crisis currently dominating our headlines, there is hope that joyous laughter, rather than fear and hatred, will become our common currency during these troubling times. It is hoped that happiness agents rather than fear-mongers will be first in line to infect refugees with joy and relief when they arrive looking for safe passage to a better life for themselves and their loved ones.

I should probably have added this post to my Artist Research section,  but today’s WP Daily Prompt: Roaring Laughter is a good fit.

When was the last time you had a belly-ache laugh? Here’s wishing you an infection of laughter today (and bonus points if you infect a stranger with some of the same.)  😉

In the company of da Vinci

Leonardo da Vinci, c.1604. 'Battle of Anghiari' Black chalk, pen & ink, highlights in grey & white. 45.2cm x 63.7 cm. Louvre, Paris.
Leonardo da Vinci, c.1604. ‘Battle of Anghiari’ Black chalk, pen & ink, highlights in grey & white. 45.2cm x 63.7 cm. Louvre, Paris.

When once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return.” – Leonardo da Vinci

I live a quiet Australian country-style life with my perfect husband, cat, parrot and of course my art. As a Fine Art student I promised myself a graduation gift when the big day arrives; nothing less than a trip to Paris! It is there and then that I imagine I will experience the ‘perfect night out.’ Surrounded by the history and art of the Renaissance era in the magnificent city of lights with my beloved sister (from London) and my equally beloved husband; I will be in artistic heaven in the company of da Vinci and many other admired artists’ works. Ask me again then to describe my perfect night out. 😉

This post is in response to the WP Daily Prompt: Saturday Night